Category Archives: San Bernadino

Freestylers, Will Bailey & Breakdown

The Freestylers are the dancefloor sensation of the new millennium, a fast moving,
electro-rocking monster movie that is going to hit your house like a tidal wave, and
wash all your preconceptions out of the door.

When they play live, there’s up to twelve of them on the stage alone, guitars and a
full rhythm section, DJ Jay-Rock, crowd pleasers MC Tenor Fly, MC Navigator and
new vocalist Valerie M, a breathtaking whirl of sound and vision which leaves the
audience as exhausted as the band. In fact, the dance is almost as important to
the Freestylers as the music, and while break beats have been threatening to return
to the dancefloor for years, the Freestylers are the first band to actually do something
about it and were promptly proclaimed Best Band at the 1998 Muzik Magazine Awards.

On record, too, the Freestylers attack your feet first, as the world discovered when
the band’s first album, We Rock Hard, hit the rocks. A blast of sheer sonic exuberance
nailed to the phattest beats and rhythms around, “We Rock Hard” has already been
proclaimed one of the dying century’s most dazzling, dizzying explosions, 13 songs
and one long party and 500,000 sales later the band are about to drop their stunning
new Album.

Freestylers producers Aston Harvey and Matt Cantor got together in 1993, through
talking about the music they were into — electro, breakbeats, Afrika Bambaataa and
the whole old school hip hop culture. But it wasn’t long before they took their
obsessions into the studio, running off what would eventually become the Freestylers’
first U.K. single, “Drop The Boom” – initially released on the small Street Plastic label
pre- Freskanova. Like Matt says, “we plunder samples like no man’s business.”

“We’re into really instant music,” says Aston. “Too many dance artists are making
jazz albums, because they feel it’s the mature thing to do.” And the upshot of that
is — “there are plenty of great home listening albums. But not enough proper party
ones.” And for the Freestylers, proper parties are what it’s all about.

“A lot of the stuff the media will hype about, I don’t personally think rocks the
dancefloor,” Matt continues.

The Freestylers took off fast on the up and coming Freskanova label. The Uprock
EP, and the FSUK2 remix compilation for the Ministry Of Sound have kept British
dancefloors spinning; in America, “AK48,” a retitled version of “Drop The Boom,”
became the hottest thing to hit the break circuit in years. By the time the Freestylers
appeared on MTV’s PartyZone last summer, they had cut through the club scene’s
traditional polarity like a cheesewire, and brought the world flooding to the Freestylers’
door. The boys took the UK summer festival scene by storm.

Grooverider, the Dub Pistols and Robbie Hardkiss have all turned in remixes for the
US version of the UK chart topper “B-Boy Stance”; this was the first single on the
US agenda. “Hip hop heads come to see us,” Aston says, “clubby people, reggae
people… it’s quite mad, really, two funky white boys bring all these people together.
But people can see what we’re doing, and we’re not selling out.”

Not even a highly publicized brush with Oasis could stop them. When the Freestylers
lifted a few bricks from “Wonderwall” for “B Boy Stance,” Noel Gallagher was outraged
enough to force the Freestylers back into the studio to re-record their masterpiece
(look for the line about a certain “Mr Bad Man”), and that was enough to send “B Boy
Stance” soaring up the British chart. And it was only when all the fuss had died down
that anyone realized, it would probably have gone up there anyway.

We Rock Hard, the Freestylers’ rounds up all the band’s British singles so far (“Ruffneck”
and “Warning” followed “B Boy Stance”), but it throws a lot more than that into the mix.
“We’ll try any sort of styles to rock,” says Matt — big beat, Ragga, hip hop, dancefloor,
bionic skanking, anything — “as long as it’s phat, we’ll do it.”

The Freestylers’ UK single (second American single), “Here We Go,” investigates
the same Ultramagnetic MCs song that Prodigy plundered for “Smack My Bitch Up”
(“Give The Drummer Some”). Irresistible hip hop recorded with the masterly Definition
Of Sound, Melody Maker called it “a full-on, relentless funky blast,” but Aston prefers
to point out that the band are Freestylers by nature as well as name.

“Feel The Panic” features a blistering sample from Public Enemy; while “Freestyle Noize”
bags another. “We’re doing hip hop With Definition Of Sound, an electro track with the
Soul Sonic Force, and a jump up ragga tune with MC Navigator. That’s why we’re called
the Freestylers.”

“If you listen to our album, there’s old school ideas, but with a new way of looking
at them. The beats on our album are a lot phatter than they would have been 15
years ago. It’s the old school ideology, but with a new sound.” The new Album
combines the infectious raga and hip hop hooks with slammin beats and the
sound of ‘New Rave’.

“I read interviews with other people… and it sounds like they’re producing albums
which have nothing to do with what they’re really about. I can honestly say this is
exactly what we’re about. The final criteria for our records is, can you go mad to
them? Can anyone dance their fucking ass off to them? They can. They will.” The
Freestylers are taking the Freestyling ethic into the 21st century. The net is to be
widened bringing more people into the fold.

Avalon Hollywood wins Venue of the Year
in the 2009 Readers Poll for Urb Magazine

- The first URB.com Year End Readers Poll was a resounding success, with over 30,000 fans casting votes.
And with all the mouse clicks tallied, we’re happy to announce the winner, including some great surprises.

Avalon Hollywood
1735 Vine Street
Hollywood, CA 90028
www.avalonhollywood.com